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Ecofeminist Perspectives of Hawaii: Poetry

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Cathy Song
Cathy Song: Credit John Eddy



Cathy Song was born in Honolulu on August 20, 1955, of Chinese and Korean ancestry.  She centers her verse on island themes and pastoral settings. Coming of age in Wahiawa, Oahu, she began writing in high school and pursued a career in writing. She obtained a B.A. in English from Wellesley College and an M.A. in creative writing from Boston University.

At age 21, she published a short story in Hawaii Review. Her first award-winning collection, Picture Bride (1983), personalizes the slow assimilation of women into society.



 

The following poem was inspired by a print by Utamaro. Visit

Norton Poets Online: Cathy Song




Girl Powdering Her Neck, Kitagawa Utamaro

Girl Powdering Her Neck

from a ukiyo-e print by Utamaro


The light is the inside
sheen of an oyster shell,
sponged with talc and vapor,
moisture from a bath.

A pair of slippers
are placed outside
the rice-paper doors.
She kneels at a low table
in the room,
her legs folded beneath her
as she sits on a buckwheat pillow.


Her hair is black
with hints of red,
the color of seaweed
spread over rocks.


 
The peach-dyed kimono
patterned with maple leaves
drifting across the silk,
falls from right to left
in a diagonal, revealing
the nape of her neck
and the curve of a shoulder
like the slope of a hill
set deep in snow in a country
of huge white solemn birds.
Her face appears in the mirror,
a reflection in a winter pond,
rising to meet itself.
 
She dips a corner of her sleeve
like a brush into water
to wipe the mirror;
she is about to paint herself.
The eyes narrow
in a moment of self-scrutiny.
The mouth parts
as if desiring to disturb
the placid plum face;
break the symmetry of silence.
But the berry-stained lips,
stenciled into the mask of beauty,
do not speak.
 
Two chrysanthemums
touch in the middle of the lake
and drift apart.
 
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